1USER GUIDE
10Polarity (Phase)You will probably be familiar with the concept of polarity in electricalsignals and this is of particular importance to balanced aud
11PROBLEM SOLVINGBasic problem solving is within the scope of any user if a few basic rules are followed.• Get to know the Block Diagram of your conso
12BLOCK DIAGRAM
13MONO INPUT CHANNEL1 Mic InputThe MIC input accepts XLR-type connectors and is designed to suit a wide range ofBALANCED or UNBALANCED signals. Profe
14The Send may also be tapped off as an alternative pre-fade, pre-EQ direct output ifrequired, using a lead with tip and ring shorted together so that
15POST-FADE), but for Foldback or Monitor feeds it is important for the send to beindependent of the fader (this is called PRE-FADE).AUX SENDS 1 and 2
16STEREO INPUT CHANNELS1 INPUTS STEREO 1/2These inputs accept 3-pole 6.35mm (1/4") jacks. Use these inputs for sourcessuch as keyboards, drum ma
177 FADERThe 60mm FADER gives you smooth control of the overall signal level in the channelstrip, allowing precise balancing of the various source sig
18MASTER SECTION
191 POWER INDICATORThis LED lights to show when power is connected to the console.2 PHANTOM POWERMany professional condenser mics need PHANTOM POWER,
2© Harman International Industries Ltd. 2006All rights reservedParts of the design of this product may be protected by worldwide patents.Part No. ZM03
2012 HEADPHONES SOCKETThe PHONES output is a 3-pole 6.35mm (1/4") jack, wired as a stereo output, ideally for headphones of200Ω or greater. 8Ω h
21AUX22 AUX MASTERSThese three controls set the output levels of the three Aux Outputs.23 AFLThese After Fade Listen switches route their respective a
22USING YOUR MPM CONSOLEThe final output from your sound system can only ever be as good as theweakest link in the chain, and especially important is
23• Repeat this procedure on other channels as required. As more channelsare added to the mix, the meters may move into the red section. Adjust theo
24FITTING OPTIONAL RACK-MOUNT BRACKETS (MPM12/2)The rack-mount kit part number is RW5753DIMENSIONS
25APPLICATIONSAPPLICATION 1 - LIVE SOUND REINFORCEMENTAPPLICATION 2 - MULTISPEAKER APPLICATIONSThis configuration demonstrates how multiple speaker co
26APPLICATION 3 - PLACES OF WORSHIPThis configuration uses the Aux 3 output to drive an induction loop for the hard of hearing. Aux 1 output isused t
27APPLICATION 4 - RECORDINGThe insert points on channels 1-8 may be used to feed a multitrack recorder as shown (link the send andreturn signals). The
28TYPICAL CONNECTING LEADS
3ContentsIMPORTANT SAFETY INSTRUCTIONS 4SAFETY SYMBOL GUIDE 6INTRODUCTION 7WIRING UP 8BLOCK DIAGRAM 12MONO INPUT CHANNEL 13STEREO INPUT CHANNELS 16MAS
30MARK-UP SHEETSYou may freely copy these pages, and use them to record the settingsused for particular applications/gigs.
32WARRANTY1 Soundcraft is a trading division of Harman International Industries Ltd .End User means the person who first puts the equipment into regul
4IMPORTANT SAFETY INSTRUCTIONSRead these instructions.Keep these instructions.Heed all warnings.Follow all instructions.Do not use this apparatus near
5with liquids, such as vases, on the apparatus.No naked flame sources, such as lighted candles, should be placed on the apparatus.Ventilation should n
6For your own safety and to avoid invalidation of the warranty please read thissection carefully.SAFETY SYMBOL GUIDEFor your own safety and to avoid i
7INTRODUCTIONThank you for purchasing a Soundcraft MPM mixer. The MPM range is our most cost-effective mixing solution, bringing you all the features
8WIRING UPMic InputThe MIC input accepts XLR-type connectors and is designed to suit a widerange of BALANCED or UNBALANCED low-level signals, whether
9 A ‘Y’ lead may be required to connect to equipment with separate send andreturn jacks as shown below:Stereo Inputs STEREO 1/2These accept 3-pole 6.
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